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James
Booker
The Lost Paramount Tapes
DJM
Records
For most fans of New Orleans piano, there are not nearly enough recordings
of James Booker, considered by many to be the finest New Orleans
piano man of them all. Though he appeared on many sessions with other
musicians, including Aretha Franklin, Fats Domino, Earl King, The
Coasters, Ray Charles, Lionel Hampton and Lloyd Price, he never really
got the chance to stretch out on his own. The exceptions were a few singles here and
there, including the minor instrumental hit, “Gonzo,” on Duke, and a few
recordings late in his career, notably a magnificent live set and a
well-received studio set with Rounder shortly before he died of an
overdose in 1983.
Booker’s frequent bouts with manic depression and drug
abuse greatly hampered his career, as he was known to walk out in the
middle of club appearances with no explanation, or frustrate producers by
sitting and playing aimlessly at the piano for hours at a time during
recording sessions.
Despite his problems, when he set his mind to it,
there was no one better at the piano, which made all the frustrations
endured by various producers worthwhile in the long run. Classically
trained, but also adept in blues and boogie, he would sometimes mix all
these elements into the same song with exciting results.
In 1973, Booker
recorded a session at Paramount Studios in Hollywood with a cast of New
Orleans musicians providing sympathetic backing. The master tapes of the
session disappeared shortly afterward and were never found, but a tape of
the mixes of the last night’s session resurfaced in the early '90s and was
released in 1995 by DJM Records as The Lost Paramount Tapes.
The results
of this session are some of the loosest, funkiest New Orleans R&B that you
will likely encounter. Booker, who at the time was on a methadone program
to battle his heroin addiction, is at his very best (which is saying
something), and it sounds like he’s using 20 fingers on the keys.
Backing him are drummer John Boudreaux, percussionist “Didimus”
Washington, guitarist Alvin “Shine” Robinson, Jessie “Mr. Ooh Poo Pa Do”
Hill on tambourine and backing vocals, and David Johnson on bass.
The song
selection is a mix of covers (“Goodnight Irene,” an unbelievably funky
“Feel So Bad,” “Tico Tico,” and an interesting “Stormy Monday/Hound Dog
Medley”) and familiar songs in the Booker catalog (two versions of “Junco
Partner” and a version of “So Swell When You’re Well,” where Booker’s
piano had to have caught fire).
Throughout the proceedings,
Booker never lets up on the keys and the band never wavers, especially
Boudreaux and Washington.
If you’re a fan of James Booker
and you don’t have this set, you should be halfway to the record store by
now.
--- Graham Clarke
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