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R.L. Burnside
Heritage of the Blues - No Monkeys On
This Train
HighTone
Records
Being a pretty big R.L. Burnside fan, I realize that it may be pushing it to
call Heritage of the Blues - No Monkeys On This Train (HighTone) the best recording I’ve ever heard from the master. I do believe
I’ll stand by it, though. From the opening “Jumper Hangin’ On The Line” to
the eerie “Nightmare Blues,” with its shades of John Lee Hooker, to the
narratives throughout, including the title story, to the cover of Little
Walter’s “Last Night,” everything crackles with the deep soul and
authenticity of a Mississippi blues man.
The recordings include tastes of
his family band, the Sound Machine, recorded in 1979 and 1980, and a
number of solo tunes recorded at Phoenix’s Rhythm Room in 1992. In between
are some questionably funny jokes and stories. The whole of the package is
pure R.L. Burnside, pure Mississippi Delta back porch. There is nothing
pretentious about Burnside. Though he wasn’t properly “discovered” until
the 1980s, the 77-year-old joins the diminishing ranks of the “last of the
greats.”
His live take on “Fireman Ring The Bell” evokes the slide
wizardry of his mentor Fred McDowell, and “Goin’ Down South,” recorded
with Bob Corritore (harp), Bruce Lopez (bass) and Chico Chism (drums) in
1992, sets up a monotonous beat that hypnotizes.
His version of Jimmy
Rogers’ “Goin’ Away Baby,” one of two covers, is straight out of the early
Chicago (read: Muddy) book, and his wonderful “Bad Luck City,” performed
with the family band, has a '60s contemporary soul feel that, though
sounding a bit dated, grabs the ears and won’t let go. ”Rollin’ & Tumblin’,”
credited to Burnside, is superb, and the live take on “Last Night” is more
of the same.
The slide is just exquisite
and the audience was appropriately appreciative. This is a vital addition
to the library of all Burnside fans, and a great starting point for those
new to his music.
--- Mark E. Gallo
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