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Magic Slim and the Teardrops
Grand Slam
Rooster Blues
Its hard to believe, but there was a time, long ago, when Magic Slim and
the Teardrops had a hard time getting recorded. Back in the late 70s and early
80s, his recording opportunities were pretty much limited to either European
releases and his appearance on Alligators "Living Chicago Blues" series,
which paved the way for their later recordings. One of their first U.S. recordings, and
still one of their best, was for the then-Mississippi-based Rooster Blues label owned by
Living Blues founder Jim ONeal in 1982. That release, titled Grand Slam,
has long been hailed as the bands finest hour. However, for some reason, financial
more than likely, it has never been available as a CD domestically until now. Bottled
Majic Music has purchased Rooster Blues and is in the process of reissuing their
outstanding catalog.
One listen to Grand Slam and
youll realize that, despite numerous personnel changes over the years, little has
changed about Slims vision of the blues. Its still a hard-driving,
tough-as-nails approach. As usual, most of the songs are covers (Slims repertoire is
second-to-none), including "Walking the Dog ," "Fannie Mae," "Give Me Back My Wig," and Magic
Sams "She Belongs to Me." These songs are all familiar, but the Teardrops
bring something a little different to each one of them. Slims originals are mostly
instrumental, but there is an early version of "Scufflin." Two of the
instrumentals, "Slammin" and "1823 South Michigan Avenue," really display the talents of second
guitarist Pete Allen. The first 11 tracks were produced by ONeal, Amy van Singel,
and Mick and Cilla Huggins, and they have that "live in the studio" sound that
is found on all Rooster Blues recordings.
In addition, Rooster Blues has added three songs from
Magic Slims first session, recorded in 1975 at Chess Records Ter-Mar studio
and produced by Steve Cushing, then the Teardrops drummer and presently the host of
the "Blues Before Sunrise" syndicated radio program. These tracks, originally
released on the Mean Mistreater label, show that even in their early stages, the Teardrops
had that patented Chicago sound down pat.
Grand Slam offers nothing new to those who are
already familiar with Magic Slim and the Teardrops, but it shows that Slim had everything
he needed in place when he got started. This is Chicago blues at its finest.
--- Graham Clarke |