Charlie Rich
Pictures & Paintings
Sire
The name Charlie Rich
doesn’t often come up during discussions of the Blues, but maybe it should.
Though most of us know Rich
from his “countrypolitan” hits of the ’70s, with strings and steel guitars
filling every space in the music, he actually started out as a rockabilly
singer for Sun Records’ sister label, Phillips, and he wrote a few songs for
Jerry Lee Lewis. In the ’60s, he had a hit with the novelty tune, “Mohair
Sam,” and after his rise to the top of the country charts in the ’70s, he
disappeared without a trace, mostly due to changes in the music and a few
personal problems.
Peter Guralnick featured
Rich in two of his wonderful books on American Music (Feel Like Going
Home, Lost Highway) and from reading those chapters, you would
find that the blues was very close to Rich’s heart. He learned to play
piano from a black sharecropper and it was blues and jazz that were his
first loves in music, but he was gently steered away from these two genres
throughout his career until 1992, when he recorded Pictures & Paintings
for Sire Records.
It’s obvious from the first
note he sings that this music is what Rich loves. His vocals make you feel
like these songs have been a part of him for a long time and it’s obvious
his talents, though utilized well enough over the years, might have been
even more appreciated had he gone this route.
Rich’s voice and piano
shine on 11 tracks including Duke Ellington’s “Mood Indigo,” Doc Pomus and
Dr. John’s title cut, and “Am I Blue?” for the jazz fans.
Blues fans will be
satisfied by Rich’s “Don’t Put No Headstone On My Grave” and “Juice Head
Baby,” but there’s really no genre that dominates these songs.
If there is a theme, it
would be heartbreak, as on Eddy Arnold’s “You Don’t Know Me” and “Go Ahead
and Cry” (penned by Rich’s wife, Margaret Ann).
One of Rich’s old tunes,
“Every Time You Touch Me (I Get High)” gets a Latin reworking, and “Feel
Like Going Home” is a fitting spiritual conclusion to the disc, complete
with choral backing.
Impeccably produced by
Rounder Records house producer Scott Billington (and featuring many Rounder
musicians at the time), this is a breathtaking work that will please any
music fans who missed it the first time around.
Charlie Rich died in 1995,
but at least he got to make the album he always wanted before he left us.
--- Graham Clarke
|