What A Wonderful World opens with
three Kansas City classics, "Piney Brown Blues" (featuring nice guitar from
Kenner), "Cherry Red," and the Pete Johnson "Just For You." McShann
shows on the latter cut that his piano skills have not been diminished by age.
Even stronger is McShanns nimble piano playing on
the instrumental number "Crazy Legs and Friday Strut."
Just as pleasing is McShanns vocal work on What
A Wonderful World. Nearly every singer in the jazz/blues genre has covered the
classic "Gee Baby Aint I Good To You," but McShann gives it a fresh, more
mellow approach. He also sounds great, exhibiting more range, on an excellent "Lonely
Boy Blues," which he cut for Decca in 1942 with Walter Brown and Charlie Parker.
Another standout tune is the jazzy instrumental "Hot
Biscuits," this one providing a showcase for tenor sax player Ahmad Alaadeen and
guitarist Kenner.
What A Wonderful World ends with the title cut, a
cover of the Louis Armstrong song. This number doesnt work as well as the previous
10 songs
McShann doesnt seem exactly at ease with the arrangement.
With a recording career spanning nearly 60 years, Jay
McShann is truly one of the greatest blues and jazz pianists ever. It would be nice if he
could get a "late career" boost similar to that of the late Charles Brown. But I
wont complain as long as someone keeps releasing wonderful albums like What A
Wonderful World.