Marcia Ball
So Many Rivers
Alligator
Marcia
Ball has never sounded so compelling, so mesmerizing, so passionate as
on So Many Rivers. And she makes it all a ball in the process. From
the opening cover of “Foreclose on Love,” with its power-packed horn
section, to the joyful, handclapping church-ish closer, “If It Ain’t One
Thing,” this is hands-down the best collection of music Marcia Ball has
released in a career studded with superb recordings.
She surrounds herself with
first-rate players, including producer/guitarist Stephen Bruton, splits
the program between impressive originals and carefully selected covers,
and sings like a honky tonk angel with a solid backbeat. And, oh yeah, she
just wails on the piano.
In the process, she covers a
wide stylistic territory without leaving her Louisiana/Texas roots. Her
take on Danny Timms’ “Dance With Me” has a sound closely akin to Delbert
McClinton; her “Baby, Why Not,” with those sexy, sassy horns, has a punch
that invites a dance floor; and her take on Timms’ “Honeypie,” with its
Tex-Mex-meets-Zydeco accordion, courtesy of Wayne Toups, is one of the
rockin'-est tunes of the year.
The mood takes a decidedly
bluesy turn on Marcia’s plaintive “Give Me a Chance,” on which she takes
it to church, and almost reminds of a Texas-style Aretha. “Didn’t You
Know,” from the collaborative pens of Marcia Ball and Sarah Brown, is a
heartbreaker that reminds, “...didn’t you know I’d get over you?...,”
and on which her piano rides over a snaky rhythm that benefits greatly
from guest Pat Boyack’s guitar work and Red Young’s B3.
The original “Give It Up,”
with John Nicholas contributing harp, is a bluesy workout on which she
sings “...I’m going to put on some perfume/and dress up nice/fry some
chicken and bake a pie/I know all of your favorites and I’m making a
list/I’m gonna lead you to temptation/I know you can’t resist...” If
that man she’s out to make her own isn’t paying attention, there’s sure
enough a long list of gents ready to take his place.
Joel Siegel’s funky title cut
weds introspective lyrics to a rollicking beat with a bit of a Little Feat
groove. She backs that rocker with the gorgeous ballad of “The Storm,” on
which she sings of a relationship that is able to withstand cloudy skies.
Another original, “The
Lowdown,” has a Lyle Lovett feel with its clever lyrics (“...All my
friends are busy/I’ve been working, too/But it seems like I would hear a
word or two from you...”), great piano work and a horn section to die
for. Song of the Year is written all over this one.
Danny Timms’ “Hurricane on
China Lake” is a visual piece that showcases Marcia’s emotive vocals over
a superb arrangement.
It’s telling that she
dedicates the disc to “the songwriters.” She makes every song here her
own, regardless of the source, which may be the greatest gift a musician
can give a song writer. “Three Hundred Pounds of Hongry,” written by
Donnie Fritts and Eddie Hinton, is a fine example. With Bruton’s mandolin
leading the way, the back porch-straining number is as much fun as it is
musically impressive. When Marcia sings “...Everybody asks me why/Do
you love a man that’s twice your size/Well, don’t you know it’s the bigger
the better/That three hundred pounds/ sho’ ‘nuf got it together...,”
it’s easy to believe she means it. Eating barbecue was never so easy to
rationalize.
“If It’s Really Got to Be This
Way,” from the impressive pens of Donnie Fritts, Arthur (“You Better Move
On”) Alexander and Gary Nicholson, is another tune that Marcia takes for
her own. With its stark keys, bass, and drums backing, Marcia sings that
“...she’ll cry, but she’ll get by...,” demonstrating one of her
greatest assets, the ability to sing a tearful ballad with as much
authority as she drives a rocker.
Marcia Ball calls folks like
Professor Longhair and Irma Thomas her heroes. Over the last couple of
albums with Alligator, she has stepped decisively into the same league.
At a dab under half-way
through 2003, “So Many Rivers” may just be the disc to beat for Record of
the Year.
--- Mark E. Gallo
Editor's Note: I
wholeheartedly concur that this is a wonderful disc, also the best that
I've heard this year ... maybe even in the last couple of years.
--- Bill
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