  
      The Blind Boys
      of Alabama 
      Spirit Of The Century 
      Real World 
      
       Lord have mercy! Can I get a witness? Even if
      you're not a fan of spiritual 
      music, this current release from  The Blind Boys Of Alabama, Spirit Of
      The Century (Real World), may very well convert you. In addition, you
      will jump, shout and sing along with this collection of traditional spirituals 
      presented as an intelligently conceived hybrid of gospel and its offspring, 
      the blues.  
      
       Not to be confused with their arch rivals, The Blind Boys Of 
      Mississippi, this group came together in 1939 at the Talladega Institute For 
      The Blind, and still contains two original members! That would make this their
      eighth decade of making music together, if I am not mistaken. How's 
      that for longevity, eh? The number of the members in this group has varied 
      over the years between four and six. The current lineup is Clarence 
      Fountain, Jimmy Carter, George Scott and Joey Williams. Founding member 
      Clarence Fountain is considered the leader and main voice of the group, but 
      on Spirit Of The Century you will find the lead vocals shared among other 
      members when they aren't harmonizing together.  
      
       I said before that this was an 
      album of traditional spirituals. But there are a few exceptions of the 12 selections starting with the very moving opening number, "Jesus Gonna Be
      Here," featuring Clarence Fountain on lead vocals. Along with "Way Down 
      In The Hole," this number was penned by Tom Waits (yes, you read it correctly). The members 
      of the group informed producer John Chelew that they had to understand the 
      message behind those two pieces, in addition to Ben Harper's "Give A Man A
      Home," before recording them, as they were not robots. The irony is 
      that these three numbers outshine the rest.  
      
       The other eight tunes are 
      traditional gospel pieces given magnificent arrangements by producer Chelew 
      and the stellar band of musicians assembled for these sessions. John Hammond 
      is on hand on electric guitar and dobro. The classy, just perfect harmonica 
      lines you will hear are courtesy of Charlie Musselwhite. The searing electric 
      slide is contributed by session veteran David Lindley, who, when asked how 
      much he wanted to be paid for his work on this album, said, "I should be 
      paying you guys to work on this project." The rhythm section comes from 
      Richard Thompson's band in the form of Danny Thompson playing a wicked double 
      bass and Michael Jerome on drums.  
      
       "Run On For A Long Time" has George Scott 
      on lead vocals, and a slight flavor of rap/hip hop undertone to it along with 
      some beautiful harmonizing by all four. John Hammond's dobro is the only 
      instrument to be heard on "Good Religion," and even that really wasn't a 
      necessity considering the powerful performances turned in vocally.  
      
       The tune 
      most familiar to everyone on this album, "Amazing Grace," is given an unusual 
      treatment that has it sounding like it's been crossed with "House Of The 
      Rising Son." As strange as it sounds it works big time, and is followed by 
      a 'blow the roof off the revival tent' rendition of "Soldier."  
      
       A beautifully 
      arranged version of "Motherless Child" may cause a big ole lump in your 
      throat if you aren't careful, so eating while listening to this piece is not 
      recommended. 
      
      There is one other track that is not a traditional gospel tune. 
      A number from Mick Jagger and Keith Richards, "Just Want To See His
      Face," stands a good chance of becoming one though.  
      
       "The Last Time" closes 
      this fantastic recording with the lone a cappella performance on the album, and 
      I'll let it speak for itself. I'll personally be looking forward to this 
      group's next release with much anticipation. If you know anyone that has said 
      that they don't care for gospel music, play them this album and have fun 
      watching their opinion change in the space of about the first four tracks.  
      
       
      Call it a gospel album or call it a blues album or call it a crossover album 
      if you will. But whatever you call it, I'm sure it will be preceded by the 
      words great, incredible, fantastic or .... oh hell, I think you get the 
      picture. Lay your hands on a copy of this gem as soon as you can. You won't be 
      sorry. 
      
      --- Steve Hinrichsen
       
       
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