The Blind Boys
of Alabama
Spirit Of The Century
Real World
Lord have mercy! Can I get a witness? Even if
you're not a fan of spiritual
music, this current release from The Blind Boys Of Alabama, Spirit Of
The Century (Real World), may very well convert you. In addition, you
will jump, shout and sing along with this collection of traditional spirituals
presented as an intelligently conceived hybrid of gospel and its offspring,
the blues.
Not to be confused with their arch rivals, The Blind Boys Of
Mississippi, this group came together in 1939 at the Talladega Institute For
The Blind, and still contains two original members! That would make this their
eighth decade of making music together, if I am not mistaken. How's
that for longevity, eh? The number of the members in this group has varied
over the years between four and six. The current lineup is Clarence
Fountain, Jimmy Carter, George Scott and Joey Williams. Founding member
Clarence Fountain is considered the leader and main voice of the group, but
on Spirit Of The Century you will find the lead vocals shared among other
members when they aren't harmonizing together.
I said before that this was an
album of traditional spirituals. But there are a few exceptions of the 12 selections starting with the very moving opening number, "Jesus Gonna Be
Here," featuring Clarence Fountain on lead vocals. Along with "Way Down
In The Hole," this number was penned by Tom Waits (yes, you read it correctly). The members
of the group informed producer John Chelew that they had to understand the
message behind those two pieces, in addition to Ben Harper's "Give A Man A
Home," before recording them, as they were not robots. The irony is
that these three numbers outshine the rest.
The other eight tunes are
traditional gospel pieces given magnificent arrangements by producer Chelew
and the stellar band of musicians assembled for these sessions. John Hammond
is on hand on electric guitar and dobro. The classy, just perfect harmonica
lines you will hear are courtesy of Charlie Musselwhite. The searing electric
slide is contributed by session veteran David Lindley, who, when asked how
much he wanted to be paid for his work on this album, said, "I should be
paying you guys to work on this project." The rhythm section comes from
Richard Thompson's band in the form of Danny Thompson playing a wicked double
bass and Michael Jerome on drums.
"Run On For A Long Time" has George Scott
on lead vocals, and a slight flavor of rap/hip hop undertone to it along with
some beautiful harmonizing by all four. John Hammond's dobro is the only
instrument to be heard on "Good Religion," and even that really wasn't a
necessity considering the powerful performances turned in vocally.
The tune
most familiar to everyone on this album, "Amazing Grace," is given an unusual
treatment that has it sounding like it's been crossed with "House Of The
Rising Son." As strange as it sounds it works big time, and is followed by
a 'blow the roof off the revival tent' rendition of "Soldier."
A beautifully
arranged version of "Motherless Child" may cause a big ole lump in your
throat if you aren't careful, so eating while listening to this piece is not
recommended.
There is one other track that is not a traditional gospel tune.
A number from Mick Jagger and Keith Richards, "Just Want To See His
Face," stands a good chance of becoming one though.
"The Last Time" closes
this fantastic recording with the lone a cappella performance on the album, and
I'll let it speak for itself. I'll personally be looking forward to this
group's next release with much anticipation. If you know anyone that has said
that they don't care for gospel music, play them this album and have fun
watching their opinion change in the space of about the first four tracks.
Call it a gospel album or call it a blues album or call it a crossover album
if you will. But whatever you call it, I'm sure it will be preceded by the
words great, incredible, fantastic or .... oh hell, I think you get the
picture. Lay your hands on a copy of this gem as soon as you can. You won't be
sorry.
--- Steve Hinrichsen
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