  
      Various
      Artists 
      Rhythm Room Blues 
      Hightone 
      
       Blues fans from around the Southwest know that the place
      to go to hear the blues when in Phoenix, Arizona is the Rhythm Room, which
      just celebrated its 10th anniversary. Through the years a number of shows
      have been taped by Clarke Rigsby, one of the top recording engineers in
      the Phoenix area. The result is the excellent album Rhythm Room Blues
      (Hightone Records), with 13 live recordings featuring seven different
      artists.  
       The album opens with a smokin' harmonica tune from Kim Wilson,
      who sounds just like Sonny Boy Williamson on "Eyesight to the
      Blind." Wilson also closes out the disc with an extended version of
      the slow blues "Five Long Years," highlighted by Wilson's
      chromatic harmonica and hot guitar solos from Rusty Zinn.  
      
      Other keepers include piano legend Henry Gray, with the intense, raw blues
      of "Sinner's Prayer," featuring nice harp from Rhythm Room owner
      and album producer Bob Corritore, and the romping piano number
      "Henry's Houserocker."  
       Mississippi Delta guitarist R.L. Burnside
      is represented by four solid cuts, all recorded in 1994 before he had
      become the darling of the alternative blues set. Burnside sums up the
      atmosphere at the Rhythm Room by introducing one of his songs with the
      proclamation, "If the Budweiser lasts, I think we'll make it."  
       A
      hot Texas blues shuffle from Sonny Rhodes, "Livin' Too Close to the
      Edge," is another highlight, with better than expected guitar work
      from Rhodes. A special moment occurred during Rhodes' set when veteran
      blues shouter Nappy Brown just happened to be in the crowd, and joined
      Rhodes on stage for his signature bawdy tune, "Lemon Squeezin'
      Daddy."  
       Sam Lay gets real raucous with a version of Snooky Pryor's
      "How'd You Learn to Shake it Like That?"  
       The sound quality on Rhythm
      Room Blues is impeccable, and the crowd noise never interferes with
      the music. Despite the presence of so many artists recorded on different
      nights, the album flows well. You could imagine that this is really an all
      star band on stage all at once. Rhythm Room Blues truly captures
      the atmosphere of this fine blues venue, without the accompanying
      cigarette smoke. Let's hope for more recordings like this in the future.
      As Burnside says at the end of "Goin' Down South," "...the
      party ain't near about over..." 
      ---
      Bill Mitchell 
      
       
 
       
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