Al Green
I Can't Stop
Blue Note Records
Ever bemoan the fact that they don’t make soul
music the way they used to, music that sounds as good as before and that
is not some bastard son of disco music?
Apparently, you’re not alone.
One
of the classic artist/producer teams of all-time has decided to have
another go at it: I Can’t Stop is a brand new Willie
Mitchell-produced album from soul star Al Green, and it’s a beauty.
In fact, it is virtually indistinguishable from the classic Hi records
Green released in the ‘70s, except for the fact that it’s actually on the
venerable Blue Note label.
Part of the reason for the classic sound, aside
from the particular chemistry that arises when Green and Mitchell sit down
to work on a song, is the presence of two of the Hodges brothers, Teenie
on guitar and Leroy on bass, and the exact same trio of backup vocalists
as was used on all the classic hits, Donna and Sandra Rhodes and Charlie
Chalmers. No prerecorded drum pattern was used, the five-man horn section
and the eight-person string section were recorded at the same sessions,
and, best of all, Green’s voice is as stunning as ever.
He’s also
unapologetically romantic, as the sole song subject of these 12 new songs
attests: it’s love, baby. “I’ve Been Waiting on You” is probably the most
irresistible of the lot, but there’s not a dud in the bunch.
Were I to
come up with one shortcoming, I’d point out a few grammatical
inaccuracies, and the last couple of songs do rely a little too much on
lyrical clichés, but that’s being over-critical. Just listen to these
punchy horns, to those sweet harmonies, to these string-hued ballads (I
guarantee Green is going to do a killing again with the ladies with this
newest set of songs).
There’s just one word for it: a classic. Again.
--- Benoît Brière |