Pat Boyack
Voices from the Street
Doc Blues Records
It took me a few weeks to decide what I really
thought about Voices from the Street (Doc Blues), the new
collection of urban power soul songs, some originals and the rest hidden
gems from the past, from Texas blues guitarist Pat Boyack. It just
didn't fit my pre-conceived notions of what to expect from Boyack,
currently gainfully employed as the guitarist in Marcia Ball's touring
band.
After finally giving it a second listen, I now can't get Voices
from the Street out of my CD players.
Boyack gathered many of his Austin pals in the
studio to record the 13 numbers most of which likely wouldn't fit in with
anything else that these folks generally record. All of the songs contain the same basic theme --- tributes to common, every day people
making a living through hard work.
The singer to step the most from her comfort
zone is Ball, who gets downright funk-ily sassy on the first cut, Robert
Parker's "Listen To Me."
Ms. Ball later returns to do more of a Marcia
Ball-esque slow number, "These Are People," a Boyack original. Boyack
comes in part way through the song with an extremely tasty guitar solo.
One of the real revelations is the vocal work
on three cuts from Ruthie Foster, who especially tears it up on the gospel
stomper "Feel Like Goin' On." This is a song to play over and over. I
obviously need to learn more about Ruthie's music, because she's certainly
one of the stars of this collection. She gets downright funky and soulful
on "Pushin' On" and presents a more classic soul sound on a tune,
"Misery," co-written by Boyack and Shane Smith.
Fans of The Bone Shakers will jump right to
the three Sweetpea Atkinson numbers, with the usual raspy, soulful vocals
to which we've become accustomed from this cat. "Chance At Love" has a
contemporary, funky sound, similar to the kind of stuff we've heard
Atkinson do with the Bone Shakers. (Yes, the backing singers include
the aforementioned Ball and Foster). "Shotgun Slim" sounds like it could
have come from the James Brown songbook, but is instead one written by
Arlester Christian (aka Dyke of Dyke & the Blazers); it's the horn work of
The Texas Horns that provides the prototypical JB sound. Regardless, Atkinson gives it
his own unique treatment.
It wouldn't be an Austin-based compilation
without the presence of W.C. Clark, who brings his customary soulful blues
voice to the gospel-ish number "The Power is Gone" and the slow, Boyack-penned
soul tune "First Comes the Grievin'." While a very different style of
singer than Atkinson, these two men both possess a lot of power in their
voices. To have them together here is a very special treat.
Larry Fulcher, veteran Austin bassist and sometimes member of Taj Mahal's
band, gets to take the lead vocals on the Lee
Dorsey street tale, "Who's Gonna Help Brother Get Further?" Fulcher also
plays bass on on all cuts.
The entire ensemble gathers for the closing
number, a rip-roaring version of The Chambers Brothers' "Time (Has Come
Today)." There is also a bonus at the end of the CD, with Wes Race giving a
little political rap over a meandering instrumental track with the
assistance of Miss Lulu's Lucky Number Dream Book.
If you realize that this CD is not going to be
straight-ahead Texas blues, you'll find Voices from the Street to
be a rewarding trip around the city.
--- Bill Mitchell
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