Live at the Airport Grocery
Airport Grocery in Cleveland, Mississippi was
actually once a grocery store until the 1960s, when it was converted
into a barbecue joint, where one could enjoy good food and hear some
great blues at the same time. One of the regular performers there for
many years was the harmonica player, Willie Foster.
To say that Willie Foster lived the blues is like
saying Babe Ruth hit baseballs. Foster was born on a cotton sack in the
middle of a cotton field near Leland, Mississippi, after his mother went
into labor while picking cotton. His family was so poor that Foster
sometimes had to wear sacks tied on his feet for shoes, and he was
forced to quit school in the fourth grade. At seven years old, he bought
his first harmonica for a quarter with money he earned from hauling
water to the fields for two weeks.
He moved up north and worked in the auto industry
until he was drafted for World War II. He first performed onstage while
in the Army in London. When he returned stateside, he met Muddy Waters
and sometimes played with him during the 1950s, but he returned home to
Mississippi in the early ’60s to care for his dad, who was recovering
from an auto accident. He continued to play the blues, however, in
joints all over the Delta. A New Zealander heard Foster during a trip to
the Delta and encouraged him to go there and play for three months. When
he returned, his career took off and he even got an opportunity to
This path to wider recognition was not without a
few bumps, however, while in New Zealand, he was stung on the leg by a
jellyfish, an injury which eventually caused the amputation of the leg.
A few years later, he lost the other leg to diabetes (but recovered
sufficiently to play a concert TWO DAYS after the surgery). He also
began to lose his eyesight during this time as well.
None of these issues, any one of which would have
been calamitous to the average person, ever stopped Foster from playing
the blues. In 1999, Mempho Records released Foster’s Live at Airport
Grocery, documenting one of his regular shows at the club, backed by
his group, the Rhythm and Blues Upsetters. This recording, one of the
best of 1999, has been a definite collector’s item over the years
because Mempho closed shop several years ago. Fortunately, I55
Productions recently reissued it, so blues fans can finally hear what
they missed the first time around.
Foster sings and plays the harp with the confidence
of a man who had been playing the blues for over 60 years at the time of
this recording. He pays tribute to his sources and influences on every
track, like Muddy Waters on a pair of tracks….Waters’ own “Hoochie
Coochie Man” and “Janie on My Mind.” “Promise Me Love” has a strong John
Lee Hooker influence with its incessant boogie rhythm. He also gives
Jimmy Reed a nod on “Goin’ to St. Louis,” a cousin to Reed’s “Goin’ to
New York,” and the poignant “Honey Ain’t Sweet.”
Foster also wrote a couple of the songs…..“My Dear
Old Dad” is a tribute to his dad and the optimistic “Love Everybody.”
The album opens and closes with instrumental jams. “Just Messin’ Round”
and “Willie’s Boogie” allow Foster ample space to blow and guitarists
Charlie Ricker and Skeeter Provis both to shine. The rest of the
Upsetters also contribute mightily to the performance. Mike Ray does an
excellent job on keyboards, and the rhythm section (Donnie Brown – bass,
Frank Vic and Larry Wright – drums) keep things tight.
Foster passed away in 2001 at age 79, just hours
after playing a private party in Jackson, Tennessee. Only the Creator
Himself could stop Willie Foster from playing the blues.
--- Graham Clarke