Jimmy Johnson
Bar Room Preacher
Alligator Records |
When
I started listening to the blues in the mid '80s, one of the
first blues artists I heard was Jimmy Johnson. He had a
track on Alligator Records first volume of Genuine
Houserockin' Music. The first volume of that collection had
some really big players, but Johnson's performance really stood
out to me. I loved his soulful vocals and his piercing guitar
work enough to track down the album from which the track
originated, Bar Room Preacher.
Johnson originally released this album on the
French label Black & Blue (as Heap See), but Alligator
picked up the U.S. rights to it a couple of years later. Johnson
had previously released a couple of superb albums for Delmark in
the early '80s, after launching Alligator's excellent anthology
series Living Chicago Blues. Prior to the anthology, Johnson
focused on the R&B side through the '60s, leading bands behind
Otis Clay, Denise LaSalle, and others, eventually returning to
the blues as rhythm guitarist behind Jimmy Dawkins and touring
Japan behind Otis Rush (that's him in support on Rush's So
Many Roads - Live In Concert album).
Bar Room Preacher is a bit different from
Johnson's two Delmark releases. Johnson wrote nearly all of the
tracks on Johnson's Whacks and North/South, with
six of the nine tracks on this album being covers on which
Johnson giving his own distinctive spin. His versions of Junior
Wells' "Little By Little," John Lee Hooker's "When My First Wife
Quit Me," Bobby Rush's "Chicken Heads," and, most especially, a
pair from Jessie Mae Robinson, "Cold, Cold Feeling" and "You
Don't Know What Love Is," the song I heard on that Alligator
collection, benefit greatly from his wonderful vocals and his
keening guitar work. Sometimes when I see the names of blues
songs, I will hear it play in my head, and on several of these
Johnson's version is the one that plays in my head. So I guess
to my ears, his versions of several of these are the definitive
versions.
All three originals are strong. Johnson always
wrote very original, memorable songs that varied a lot from
standard blues fare. "Happy Home" is probably the closest to a
standard blues tune here, but it has its charms. "Heap See" is a
real standout with insightful lyrics, and "Missing Link" is a
tough instrumental with crisp fret work from Johnson.
Bar Room Preacher was a successful
release that helped move Johnson to the upper ranks of Chicago
blues men, but in late 1988 Johnson was driving his band's van
when it ran off the road in Indiana, killing bassist Larry Exum
(who played on Bar Room Preacher) and keyboardist St.
James Bryant and injuring Johnson. Johnson took some time off
after the crash, resurfacing in the mid '90s and recording
I'm A Jockey for Verve and Every Road Ends Somewhere
for Ruf in the late '90s. At the turn of the century he recorded
Two Johnsons Are Better Than One with his brother, soul
legend Syl Johnson.
Most recently, Johnson returned to Delmark and,
at age 91, released Every Day Of Your Life, showing that
the old tiger still had plenty in the tank. During the pandemic
Johnson played live on Facebook nearly every Saturday until he
suffered a stroke on Christmas Day shortly after giving his
final Facebook performance. Sadly, he passed away on January
31st at the age of 93. His brother Syl passed away less than a
week later.
It's hard to go wrong with any of Jimmy
Johnson's albums, but Bar Room Preacher ranks with the
best of the bunch.
--- Graham Clarke