Robert Cray was one of the artists who first
helped me get on board the blues train in the
mid ’80s. My first entry into the genre was his
collaboration with Albert Collins and Johnny
Copeland on Showdown!, and the next album I found
was Cray’s Bad Influence. By the time his
groundbreaking Strong Persuader was released, I
had been a fan for some time and actually got to
see Cray and band perform at the New Orleans
Jazz & Heritage Festival in May of 1987, the
first of many times I saw him perform over the
next five years.
I’m not sure how I missed it,
but recently I
stumbled onto Cray’s Authorized Bootleg: Austin,
Texas 5/25/87 (Def Jam/Island), recorded about three weeks after the performance
I witnessed. Cray and band (Richard Cousins –
bass, Peter Boe – keyboards, David Olson –
drums) recorded this set as part of the King
Biscuit Flower Hour, the syndicated radio show
that was regular listening for music fans from the
early ’70s until 2005.
Listening to this set brings back a lot of good
memories. One of the the things that I remember
was that Cray didn’t waste a lot of time with
chit chat. This set includes 15 songs, mostly
taken from Strong Persuader (six songs) and his
two Hightone releases (three from Bad Influence
and three from False Accusations). The songs on
those three albums, many of them written or
co-written by Dennis Walker, David Amy and
Cray, rank with the artist’s best work, tackling
mature themes that have long been a part of the
blues but Cray’s smooth vocals and piercing
lead guitar give the music added oomph.
Every show I saw Cray perform began with “I
Guess I Showed Her,” and this set was no
exception. The Memphis Horns contributed on Strong Persuader, but it works just as well
without them in this setting. The other tunes
from that album, “Foul Play,” “Still Around”
and “New Blood,” were solid additions to the
Cray catalog. Of course, Cray saves the best
two to wrap things up with the classic “Smoking Gun”
and “Right Next Door (Because Of Me), the latter I
think is every bit as good, maybe better than
“Smoking Gun”.
The three tracks from
Bad Influence, one of
Cray’s most underrated albums --- the title track,
“Phone Booth,” and Johnny “Guitar” Watson’s
“Don’t Touch Me” --- are well-presented as well. It
was cool to get a live version of the Watson
track because Cray didn’t do that one at his
Jazz Fest appearance, but “Bad Influence” and
“Phone Book” were a regular part of his show for
years and were covered by Eric Clapton and
Albert King, respectively.
False Accusations has
not aged as well as Bad Influence, but the three
songs presented --- “The Last Time (I Get Burned
Like This),” “Playin’ In The Dirt” and the
title track --- are three of Cray’s best. His
soulful vocals really carry the day on these
tracks.
Cray also slips in a couple of other tunes that
are first rate. “Let’s Have A Natural Ball” was
the opening track on Showdown!, with Young Bob
giving a spirited performance. The band also
gives a good n’ greasy version of Jimmy Smith’s
“Back At The Chicken Shack.”
In recent years, Cray has moved more to the soul
side of the blues, especially with his recent
collaborations with Steve Jordan, but there was
a whole lot of soul in his blues even back in
the late ’80s. This set shows just what a wide
range his brand of blues covers. Modern blues
artists owe a lot to Robert Cray, who’s still
making mighty fine music some 33 years later.
This set brings back a whole lot of happy
memories of this fan’s early years discovering
the blues.
--- Graham Clarke