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						 Bobby Parker 
						
						Soul of the Blues 
						
			
							
						
			
			
			
			
			
			
			
			
			
			
			
			
			
			
						Rhythm and Blues  | 
					
				
				
				
				
							Before I actually ever heard Bobby Parker, I heard 
							his song, “Watch Your Step,” on Carlos Santana’s 
							Havana Moon album in the early ’80s. I absolutely 
							loved the song, but back in those pre-internet days 
							it was pretty hard to actually go back and hear the 
							original version of a song that you liked. I did 
							read later that the guitar riff, which Santana 
							pretty much left intact from the original, had 
							inspired other rockers, such as Spencer Davis, Robin Trower, Eric Clapton, Jimmy Page (“Moby Dick”), 
							Duane Allman, and the Beatles (“I Feel Fine”). 
				
							Parker continued performing around the Washington, 
							D.C. area, but faded from the recording scene after 
							the early ’70s until Black Top Records released a 
							pair of wonderful “comeback” recordings in 1993 
							(Bent Out Of Shape) and 1995 (Shine Me Up), 
							exposing this talented artists to a whole new 
							generation of blues fans, including this one, who 
							was blown away by Parker’s vocals and guitar. 
							Santana even took Parker on the road around this 
							time for a series of concerts across the U.S. 
				
							Parker remained active until he passed away from a 
							heart attack in 2013 
							at age 76,. His earlier 
							recordings had never really been reissued, so the 
							real Bobby Parker story has only been available to 
							devoted fans who were willing to track down old 45’s 
							from decades ago. The U.K. label Rhythm and Blues 
							has made that job much easier by compiling all of 
							Bobby Parker’s pre-Black Top recordings on Soul of 
							the Blues, a marvelous two-CD, 52-song set that 
							features Parker’s work as a solo artist and his 
							contributions to other artists’ recordings, plus a 
							few other surprises as well.
				
							The set ranges from Parker’s earliest recordings 
							with The Emeralds in 1954 to three tunes backing Bo 
							Diddley for Checker Records in 1955 (plus a live 
							performance pulled from a New York City TV show at the time) 
							to performances backing other singers and 
							bandleaders like Nat Hall, Paul “Hucklebuck” 
							Williams Wee Willie Mason, Billy Clark, and Noble 
							“Thin Man” Watts. If you’ve been a fan since 
							Parker’s Black Top days but weren’t familiar with 
							his early works, you’ll have no problem catching 
							Parker’s distinctive guitar work on most of these 
							tracks, which is as energetic and dynamic as it was 
							in those ’90s recordings.
				
							There are also 31 tracks credited to Parker, with 
							some of these tracks being familiar to his more 
							recent fans. “Watch Your Step” is here in two 
							versions from 1961, as is the potent “It’s Hard But 
							It’s Fair (from Blue Horizon in 1968), and the 
							stunning “Blues Get Off My Shoulder” from Vee-Jay 
							Records in 1961, which was subsequently covered by 
							Little Milton and Leon Haywood and served as a major 
							inspiration for singer Robert Plant. “You Got What 
							It Takes” (the opposite side to “Blues Get Off My 
							Shoulder”) may sound familiar to some, as Berry 
							Gordy later “borrowed” it to produce hit versions 
							for a couple of his Motown artists without 
							acknowledgement.
				
							Most of the collection focuses on Parker’s work 
							between 1954 and 1970, but there’s a real treat at 
							the beginning of the second disc, capturing Parker 
							during a live radio broadcast in 1995 at the House 
							of Blues in New York. Parker delivers four tunes 
							from his Bent Out Of Shape album (the title track, 
							“Break It Up,” “Bobby A-Go-Go,” and “I Call Her 
							Baby”), plus two covers (a rarity for Parker) of 
							“Born Under A Bad Sign” and “Every Day I Have The 
							Blues.”
				
							Soul of the Blues shows that Bobby Parker was making 
							mighty fine music for decades before he was finally 
							able to release his own album. The powerful fret 
							work, the supremely soulful vocals, and crisp 
							songwriting were there from the beginning. It’s a 
							real shame that despite the influence his music had 
							on many later blues and rock artists, he was never 
							fully able to capitalize on his talents in the way 
							he deserved.
				
							--- Graham Clarke