Zuzu Bollin got his nickname while playing in the
E.X. Brooks’ band due to his love for a brand of ginger snap cookies
called ZuZus. Born A.D. Bollin in 1922, he was influenced by a pair of
guitar-playing uncles who introduced him to Blind Lemon Jefferson and
Leroy Carr. Bollin served in the Navy during World War II and began
playing professionally after the war in various bands. In 1951 he wrote
and recorded “Why Don’t You Eat Where You Slept Last Night,” along with
the flipside, “Headlight Blues,” for the Torch label.
“Why Don’t You Eat Where You Slept Last Night” became a
regional hit but Bollin wasn’t able to cash in much further as a
recording artist, recording only a couple of other sides. He spent the
’50s and ’60s touring with other bands until he left the music business
in the mid ’60s to go into the dry cleaning business. When he was
rediscovered in 1987 by Dallas Blues Society’s Chuck Nevitt, most people
thought that he was dead. Instead, he was living in a rooming house in
Dallas in poverty. Nevitt became his manager and put him back on the
performing trail again, eventually recording an album released as an LP
on the Dallas Blues Society record label.
The album brought Bollin some much deserved fame and he
began playing around the Dallas area, eventually graduating to the 1989
Chicago Blues Festival and a European tour. Sadly, Bollin passed away in
1990 at 68, but Antone's Records picked up the DBS recording, Texas
Bluesman, releasing it to wider distribution in 1991, a good deed if
there ever was one. Bollin’s booming voice and his T-Bone-esque guitar
work were both as sharp as a tack, and Nevitt surrounded the bluesman
with some impressive talent including rhythm guitarists Hash Brown and
Sumter Bruton, drummer Doyle Bramhall, guitarist Duke Robillard, and sax
men David “Fathead” Newman and Kaz Kazanoff.
If Texas-style jump blues are in your wheelhouse, then
this is the disc for you. Both sides of Bollin’s first 78 are recreated
here, the boisterous “Why Don’t You Eat Where You Slept Last Night” and
the slow burning “Headlight Blues.” He sounds fantastic on Gene
Phillips’ “Big Legs,” the swinging “Hey Little Girl,” Count Basie and
Jimmy Rushing’s “Blues In The Dark,” Cleanhead Vinson’s “Kidney Stew,”
and Percy Mayfield’s somber “Leary Blues.” Also here are his other
compositions: “How Do You Want Your Rollin’ Done” and the closing
instrumental, “Zu’s Blues,” acknowledging his debt to T-Bone Walker.
When listening to Texas Bluesman, it’s hard to
imagine that it had been over 20 years since Zuzu Bollin had performed
and nearly 40 years since he had recorded. It’s also more than a little
sad that he didn’t live long enough to receive the accolades he
deserved. No blues fan should be without this most excellent release.
--- Graham Clarke