Michael Burks
I'm a Bluesman
Iron Man Music |
From the first three
notes of “What Are You Doin’,” you know this is a
Michael Burks record by the Iron Man’s guitar
playing. The record, I’m a Bluesman, is a
1998 recording Michael made at Kingsnake Studios
that sat in the archives of Wightman Harris for a
number of years. Michael’s widow, Bobbie, decided it
needed to see the light of day and be heard by
Michael’s fans world-wide. I’m proud of Bobbie for
her determination to get this project off the
ground, and am very happy to have some new music by
the Iron Man to listen to. Time to share it with
y’all.
A heavy bass intro
from Vernon Allgood gives way to Michael’s guitar
and we’re off and running with “What Are You Doin’.”
Something’s not right, and Michael’s trying to
figure it out. “When I walked into my bedroom…my
baby was getting it on.” It’s not particularly clear
why she was moved to cheat on Michael, but it is
clear that he’s in pain because of her betrayal and
you hear it in the notes emanating from his guitar.
We move on to a track written by Joe Louis Walker,
“Home of the Blues,” and Michael’s reminiscing on
the house he called home. “Got a cold bed and an
empty heart…I think I hear you calling…and it tears
me apart…Mississippi Delta got nothing on this
shack…I’m leaving here tomorrow and I ain’t coming
back…this old house without you…now it’s the home of
the blues.”
Michael’s problems
with love continue in our next track, a condition he
refers to as “Love Disease.” “Call my doctor…doctor,
can you help me please…well my doctor told me…he
can’t cure the love disease.” Unlucky in love again,
Michael is working through the pain it’s causing him
and hopefully he’ll manage a complete recovery. It
doesn’t matter who he calls for help --- his doctor,
his mother, his preacher --- none of them can
provide the cure for what ails Michael most, his
love disease. I have to admit that Michael’s cover
of the Hall & Oates tune, “Sara Smile,” surprised me
but it’s probably my favorite song on this disc.
Michael’s a big teddy bear with a heart of gold, and
the love he expresses in “Sara Smile” is real. “When
you think you can’t go on…I’ll come and hold
you…it’s me and you…forever….Sara, smile.”
Beautifully done and I can see Michael in front of
his microphone serenading a rapt audience that he’s
holding in the palms of his hands.
Bob Greenlee, the
owner of Kingsnake Records, wrote our next tune,
“Broken Wing Woman.” “She’s a broken wing woman…she
fell out of someone else’s nest…she likes the home I
gave her…but she still likes her freedom best.
Michael’s fretwork lends its mournful tones to this
tale of a broken woman and I’m glad she at least
found some peace in the home that Michael provided
for her. Michael tells it best, “I found this
broken-hearted woman…now she’s breaking mine…should
have known she wouldn’t stay.”
Michael’s incendiary
guitar returns in a tune written by Lou Pride, “I
Didn’t Take Your Woman.” “If you hadn’t been good…or
good to her…treated her right…she’d still be
there…right back with you now…instead of in my arms
tonight…let me tell you, I didn’t take your
woman…you gave her to me.” A woman treated badly
will always look for the arms of a man who wants her
most and Michael’s proof of that here.
Michael’s not a man that can be fooled easily and he
tells his woman that in a tune he wrote with Bob
Greenlee, “You Ain’t Slick.” She calls in sick to
work, dresses to go out to play and Michael says it
best, “You ain’t slick…I know every move you
make…and you ain’t that quick.” This one isn’t long
for Michael’s affections and I’m sure she’ll see the
door before too long.
I hear some horns in
the background of our next track, “Blues Will Never
Die,” and Bill Samuel’s arrangement for the horns is
impressive. “If your love for me is dead…you know
the blues will never die.” Michael loved the woman
in question and his heart will grow heavy and endure
the pain of her leaving his life for a long time to
come. You can pack up the pictures, removed all of
the reminders of what was…but your memories will
haunt you…”and the blues will never die.” “My Little
Girl” is a beautiful ballad of Michael’s that shows
the importance of his child to him even while his
relationship with her mother is falling apart. “I
know that it’s over…life goes on without you…now you
found another…you doing what you gotta do…now I live
beside your world…oh, but I need my little girl.”
His little girl is everything to Michael and he will
do whatever he has to…just to keep her in his world.
Michael continues to
be unlucky in love and he covers his significant
other’s infidelity in our next cut, “Games Two Can
Play.” His fretwork continues to echo the sadness he
feels at being deceived, but he’s up for the
challenge of moving on as he sings, “I asked about
your new man…you say he’s just a friend…two can play
this cheating game…baby, I’m on my own dear.”
Michael was a blues man through and through, a topic
he covers in “That’s What I Am.” “Just like bacon
and eggs…just like ham…on rye…that’s me and the
blues…I’m a blues man…til I die.” Indeed my friend,
you definitely were a blues man until the day you
died and we miss you to this day.
The record closes
with another tune written by Michael, “Raised Up In
Arkansas,” celebrating the land he came from. “I was
born in the water…raised up in Arkansas…oh, about
the age of two…I started playing my guitar.” Michael
got started at an early age and left us way too
early but I’m grateful for his time on earth and the
friendship I shared with him.
My hat’s off to
Bobbie Burks and Wightman Harris for bringing this
labor of love to fruition. It’s a stellar recording
that can stand toe to toe with anything ever
released by Michael and a fitting tribute to the
Iron Man and all he stood for to Blues fans
worldwide. I’m sure this will never be a disc with
great distribution, so I encourage anyone who was a
fan of Michael to go to his website,
www.michaelburks.com, and grab this treasure for
yourself. You’ll be glad you did.
---
Kyle Deibler