Katarina Pejak
Roads That Cross
Ruf Records
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So how did a young woman from Belgrade, Serbia
wind up putting out one of the best blues albums
I've heard in quite some time? Katarina Pejak
was raised with the music, as her father ran a
blues and jazz club in Belgrade and often played
his favorite recordings for his young daughter,
all while she feverishly started playing the
piano. After coming to the United States, she
earned a scholarship to the prestigious Berklee
College of Music in Boston. Pejak has also been
part of Ruf Records' 2019 Blues Caravan along
with singer Ina Forsman and guitarist Ally
Venable.
Yeah, this girl's got the musical chops and
shows it on the very fine Roads That Cross
(Ruf), recorded at Marz Studios in Texas and
produced by Mike Zito. Pejak's earlier
recordings, especially the excellent Perfume
& Luck, stuck closer to her blues and jazz
roots, while this newer collection allows her to
spread her musical wings. The result is what may
be the best album of 2019 (and we are barely
into the new year!). She's backed here by a
basic band consisting of the always fine Laura
Chavez (guitar), Lonnie Trevino Jr. (bass) and
Damien Llanes (drums).
Right from the start, Pejak shares with the
listener the "Nature Of My Blues," a quirky,
kind of eerie tune with '60s-ish keyboard
effects that is a guide to the man trying to woo
her, letting him know that she's not some
kind of ordinary girl. Great song! "Sex Kills,"
a Joni Mitchell tune that is one of the two
covers on Roads That Cross, is given a
Tom Waits haunting vibe, with nice guitar licks
from Chavez and a hot piano solo from Pejak.
"Cool Drifter" is an up-tempo, uplifting song
that describes her free spirit nature, singing
"... I'm a cool drifter anywhere I go, never fly
too high, never sink too low ..." Chavez's
guitar playing is the highlight of "Moonlight
Rider," especially with the Allman-ish solo
opening the song. It's all about her wandering
lover who she just can't make stay.
Pejak shows that she can bring out the blues on
the slow, soulful number "Old Pain," with her
keyboards having a touch of gospel overtones.
That leads into the mid-tempo "Chasing Summer,"
kind of a rockin' blues in which she sings about
the confusion in a relationship: "... We can't
keep chasing summer, just because our hearts are
cold, and we can't pretend we're lovers, 'cause
we're sleeping on our own ..."
Another favorite cut of mine is Pejak's cover of
Janis Joplin's "Turtle Blues," a slow blues
shuffle on which she shows her proficiency in
real old school blues piano as well as
emotionally shouting out the vocals. Chavez
throws down some killer blues guitar chords
here, too. Sticking with the blues, albeit with
a reggae beat, Pejak implores that man to keep
his distance on "Down With Me," singing, "... So
if you see me coming, close the door, and if you
see me falling, let me hit the floor ..."
"She's Coming After You" is a Latin-tinged late
night jazzy tune about that evil woman who her
man can't resist, with Pejak softly belting out
some of her most emotional, tortured vocals on
the album while also inserting a tasty piano
solo that leads into equally effective guitar
from Chavez. That leads into the subtle title
cut on which Pejak sings about the relationship
that just didn't work out: "... We were stripped
down to the pain, we touched souls and
faced the blues, we never knew that love always
fades ..."
Closing the album is one of its best cuts, the
slow, gospel-influenced blues, "The Harder You
Kick," a sparse tune of redemption on which
Pejak has figured out the price of a
relationship that doesn't work out: "... Now,
every good man is just too much work, that I end
up regretting when I get hurt, the harder you
kick, the deeper you sink in the quick sand ..."
It's apparent that she's figured it all out as
her voice sounds more optimistic in the song's
final chorus.
Katrina Pejak is a star on the rise --- a
fantastic, introspective songwriter, a nice
subtle singer, and a very fine instrumentalist.
She's like a breath of fresh air to the blues
world, and Roads That Cross will
hopefully be her stepping stone to greater fame
and acclaim. Hop aboard the bandwagon now,
because this young woman's going places fast.
--- Bill Mitchell