| 
									 Mud 
									Morganfield 
									They Call Me Mud 
									Severn Records 
									 | 
								
							
						 
						
		
							
								
								For 
								his latest release, Mud Morganfield takes 
								a slightly different approach. They Call Me 
								Mud (Severn Records) includes a couple of 
								marvelous tributes to the music of Morganfield’s 
								father, Muddy Waters, presented in the son’s 
								amazingly comparable vocal style with 
								appropriate backing from a few of Chicago’s 
								finest musicians (Studebaker John Grimaldi, Mike 
								Wheeler, Melvin “Pookie Stix” Carlisle, E.G. 
								McDaniel, Billy Flynn, Billy Branch, and Sumito 
								Ariyo Ariyoshi). But there’s also a definite 
								shift to the urban side of the blues that he 
								grew up listening to, with healthy doses of R&B, 
								soul, and funk mixed in.
								For 
								traditional blues fans, there’s plenty to enjoy 
								with Morganfield’s two terrific covers of Waters 
								classics, “Howling Wolf” and “Can’t Get No 
								Grindin’,” along with the horn-driven title 
								track which leans more toward Memphis blues à la 
								B.B. King with some stinging guitar fills, the 
								urban blues “48 Days,” the driving “Oh Yeah,” 
								and “24 Hours,” a sweaty blues funk number. 
								Morganfield’s vocals retain the qualities that 
								he shared with his father, but he has his own 
								distinctive style that stands out as well.
								The 
								more soul-oriented numbers include “Cheatin’ Is 
								Cheatin’,” a solid soul burner, “Who’s Foolin’ 
								Who?,” which has the feel of ’70s funk, the R&B 
								ballad “Who Loves You” (a duet teaming 
								Morganfield with his daughter Lashunda 
								Williams), the jumping “Rough Around The Edge” 
								and “Walkin’ Cane,” both of which blend blues 
								and R&B, and the instrumental closer, “Mud’s 
								Groove,” which flirts with jazz and features 
								Branch on harmonica. 
								The 
								entire band sounds fantastic, with the Chicago 
								contingent being joined by producer/guitarist 
								Rick Kreher and the excellent horn section (Phil 
								Perkins – trumpet, and Michael Jackson – sax). 
								Mud 
								Morganfield may not ever escape the formidable 
								shadow cast by his father, and, to be honest, 
								I’m not sure if he would even want to, but he 
								really proves that he’s a versatile performer 
								who’s more than capable of branching out into 
								the R&B and soul venues, both as a performer and 
								a songwriter. They Call Me Mud puts his 
								talents on full display and is must-listening 
								for blues and soul fans. 
								
								--- Graham Clarke