| 
				 
				Willie Walker and the Butanes 
      Memphisopolis 
				Haute Records   | 
			
		
		 
      
      
      
		
		Wow, what a follow up! Willie Walker and the Butanes' great 
		release of a couple of years ago, Right Where I Belong, was 
		reviewed here in the August 2004 issue of 
		Blues Bytes, and picked by me as that year's second best release. It was 
		beaten out by Ricky Fante's first (what ever happened to Ricky Fante???). 
		
		Praise the music Gods, as Walker's latest, Memphisapolis (Haute 
		Records), is even better than Right Where I Belong. With Willie's 
		intensely soulful voice and those funky horns born out of years of 
		listening to Stax recordings, the final test is the songwriting, and 
		once again band leader Curtis Obeda has given us 13 songs that play to 
		the strengths of Walker and the band. 
		
		Interestingly not all of the songs were intended for Walker. This 
		release includes six new songs and seven that were written prior to the 
		first release. There is one song, "I'll Get To You," that was written 
		for Bettye Lavette when she was looking for songs for her I've Got My 
		Own Hell To Raise album, but was not among those chosen. "Thanks For 
		Being There" was written for Tyrone Davis but sort of got lost along the 
		way. "Just Wait Til I Get Home" was written with Wilson Pickett in mind, 
		when the Wicked One was about to record his It's Harder Now for 
		Rounder. "Real Love" was intended for Al Green but never made it to any 
		of his releases. It is these great songs, in addition to those written 
		for this project, that form the foundation for what could very well be 
		this year's number one release. This one and last month's Candi Staton 
		form a one - two punch that will be hard to top in 2006.
		
		The opening track, "What's It Take," opens with a horn riff that grabs 
		you right away and sets the very Memphis-sounding tone that pervades 
		throughout this release. The deep ballad "The Dream for Me" could be out 
		of the Otis Redding songbook, as could the horns that jump out at you on 
		the upbeat "My Baby Drives Me Crazy." 
		
		"Cry, Cry, Cry" has the sound of Walker's early Goldwax sides. This song 
		is so good that when this CD arrived, I listened to this track over and 
		over. It was like I was in a time warp. "Opposites Attract" has those 
		driving Stax horns again and fine female background singers who add to 
		the joy of this song. The country sounding ballad "I Won't Be Lonely" 
		has an early Joe Tex sound that survives the test of time. Every track 
		has merit --- no throw away tracks here.
		
		The choice of the unusual title, Memphisapolis, is explained by 
		Obeda when he says; "Willie Walker has lived in Minneapolis for over 40 
		years, but it's still Memphis you hear when he sings." 
		
		This release is a revelation and now it is up to all of us to support a 
		project like this. If you love Stax and the golden age of soul, this is 
		a can't live without release. Visit the band at
		www.thebutanes.com 
		and enjoy, enjoy, enjoy. It will not get any better than this.
		
		--- Alan Shutro