Victor Wainwright
Boom Town
Blind Pig Records
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I’ve been a fan of Victor Wainwright’s for a long
time now so when I ran into him at the Blues Music
Awards and asked him about his new record, Boom
Town, I wasn’t surprised when he told me it was”
great.” Victor is the proud recipient of two Pinetop
Perkin’s Piano Player of the Year Awards for a
reason and he’s really grown into a mature artist at
the top of his game. Blind Pig Records signed a
great artist and Boom Town easily shows that Victor
was worth the investment. Let’s give Victor’s disc a
spin.
We start out with the title track, “Boom Town,” and
Nick Black intricately picks the intro as Victor
lays claim to the riches he expects in “Boom Town.”
“It ain’t going to take long for me to be in the
pink….I’ve got a Mojo Hand…I’m headed off to Boom
Town.” Chris Stepheneson adds his Hammond Organ keys
to Victor’s twinkling piano ivories and we’re off to
a great start. We move on to “Saturday Night Sunday
Morning” and Victor is advising that the fun you had
on Saturday night is accompanied by the price you
pay on Sunday morning. “Definitely an up-tempo tune
and the band is enjoying the run, “Tonight is the
night…we’re going to rock our soul…first thing
tomorrow…we’re going to pay the toll.”
Guitarist
Nick Black joins Victor on the lead vocals for “Stop Bossin’ Me Baby” and both men are tired of being
told what to do. “Stop bossin' me baby…you always
pushing me around…bit your tongue…zip your lip…if
you don’t like nothing…you’re going to sink our
ship…stop bossin’ me baby…you always bring me down.”
The Wildroots are in top form and you can hear just
how tight they are in the mix. Victor has surrounded
himself with a talented group of players and they
are definitely one of the top bands around.
A deep bass intro from Stephen Dees sets the tone
for the band as they segue into “If It Ain’t Got
Soul.” “Sisters and brothers…spread the news…the
Roots are coming to lay down the blues…in a boogie
style…with a down home strut…way down deep…if the
truth be told….if it ain’t got soul…it don’t roll.”
I appreciate the message of this tune and am happy
that Victor and the band are true to their muse. If
it ain’t got soul…it don’t roll.
Stephen Dees is
credited with writing most of the tunes on Boom Town
and our next cut, “When the Day is Done,” has a
deep, gospel feel to it. Stephen Kampa is blowing
harp in the background as Victor tackles this plea
for redemption. “So…take me down to the river….save
my soul…Holy Son….wash away all my sorrow…I’ll be
ready when the day is done.” Victor’s upbeat
personality is apparent in his keyboard work as he
moves to another Dees tune, “Genuine Southern
Hospitality.” Here we celebrate the goodness in
folks of the South and their willingness to share
their good will. “Have a heaping helping…of Southern
hospitality…pan fried, genuine….Southern
hospitality.”
A light snare intro from drummer Billy Dean sets the
tone for our next cut, a boogie woogie tune
entitled, “Two Lane Blacktop Revisitied.” “Cool down
that radiator…I’ve got a full tank of gas…back up on
that blacktop…it’s time for hauling ass… I looked up
in the mirror…and who do you think I saw…that no
good Johnny Law…I don’t want to deal with this
doggone cop…I’m hauling gear on this two lane
blacktop.”
We move on from mayhem to relaxation as
Patricia Ann Dees joins Victor on the vocals as the
time has come for Victor to enjoy the ambience of
the “Wildroot Farm.” “Ain’t got no worries…no
troubles…no cares…down on the Wildroot farm…get it
while the getting is good.” More sweet harp tones
from Stephen Kampa round out the sense of relaxation
that can be found on the Wildroot farm. Victor and
the band segue into the first instrumental on the
disc, “Piana’s Savannah Boogie” and you can hear
Victor’s fingers sliding up and down his piano as he
tackles the Boogie Woogie beat of this tune. It’s a
great place in the mix for an instrumental and I’m
enjoying the brief break that it provides.
So of course we move on to the macabre and
mysterious implications of “The Devils Bite,” and
here we find Victor reflecting on the evil that has
befallen him. “She’s driving by the hunger…to
dominate her man…she’s got you in her sights…it’s
feeding time again…your life is in danger…about to
end…be careful my friend…beware the Devils Bites.”
JP Soars is providing his acoustic fretwork to this
tune and I appreciate the delicateness of his
picking to accompany this song. Tempo picks up but
we stay in the same vein as the band plays the
opening of our next cut, “Reaper’s on the Prowl.”
Here the adversary is the Devil and Victor knows the
Reaper’s hunting him. “You know I’ve been pretty
good….saying all my prayers….why are you hanging
round my door…Hell no....I don’t want to go…quite
creeping round here.” Victor’s playing some pretty
sinister notes on his Hammond and it’s clear he’s
not going to let the Reaper get to him.
Fortunately
for all of us the next tune, “Back on Top,” features
a much lighter feel with Robert “Top” Thomas on the
lead guitar. “No, I won’t be looking back…I will not
live in the past…I move on down the road…pushing
hard on the gas…you may be the first baby…but you
won’t be the last…cause I’m back on top again.”
Victor and the band close out
Boom Town with one
more instrumental, “WildRoot Rumble,” and honestly
this tune has kind of an Old West feel to it as
though the law is after Victor and the band again,
which they probably are.
Victor has surrounded himself with some of the
finest players Memphis has to offer with Nick Black
on guitar, Stephen Dees on bass, Patrician Ann Dees
on tenor sax and vocals, Billy Dean on drums, Charlie DeChant on baritone
and tenor saxophones, Ray Guiser
on tenor sax, and Stephen Kampa on the harmonica.
The end result is that Victor and the WildRoots are
one of the most entertaining Blues bands on the
circuit today. You can learn more about Victor, the
band and Boom Town at
www.vwwroots.com.
Boom Town is
an excellent record and one I’m sure that will
garner Victor and the WildRoots some nominations
come BMA time. The energy of a live show from Victor
& the WildRoots is contagious so hit one soon and
tell all your friends.
---
Kyle Deibler