Memphissippi Sounds
Welcome To The Land
Little Village Foundation |
Memphissippi Sounds is a new
young blues duo made up of Cameron Kimbrough (drums
and guitar), the grandson of legendary Mississippi
bluesman Junior Kimbrough, and Damon "Yellow P"
Pearson (harmonica and guitar). Kimbrough grew up in
a small town in North Mississippi, while Pearson
brings the urban edge from his upbringing in
Memphis. They bill their music as a blend of North
Mississippi hill country blues, Memphis blues and
soul, rock, pop, and hip-hop.
Their latest album, Welcome To The Land
(Little Village), was recorded at the Sun studios in Memphis and
produced by harmonica player Aki Kumar, who has appeared on
other Little Village recordings. The music here is heavily
rooted in the deep blues of the Mississippi hill country, paying
homage to predecessors like R.L. Burnside, Junior Kimbrough,
Jessie Mae Hemphill and others, but with a contemporary twist to
each of the nine original compositions. It's intriguing music,
closer to the classic blues of the area.
Welcome To The Land opens with Pearson's
original "Who's Gonna Ride," an up-tempo hill country blues that
is rhythmic and hypnotic. It's designed to be a tribute to Black
Lives Matter and the struggles endured by all during the
pandemic, also serving as a vehicle for Pearson's outstanding
harmonica playing. The slow blues "Groove With Me" is deep, dark
and eerie. The vibe here isn't complex, but rather just simple
foreboding blues with heavy guitar chords and more good harp
accompaniment.
"I'm Mad" is framed by a steady, rhythmic drum
beat and good blues guitar. This song reminds me of the music of
a legendary Memphis band, The Fieldstones, that I saw multiple
times at a jook joint called Green's Lounge during my occasional
visits to the area during the 1980s. Listening to "I'm Mad," I
can close my eyes and remember those times hearing The
Fieldstones (minus the thick smoke that hung in the air at
Green's Lounge). I could listen to this song over and over. "You
Got the Juice" is the first song to incorporate elements of
hip-hop but will still plenty of blues feeling, especially with
Pearson's haunting harmonica solos. This one grew on me the more
I listened to it. In fact, I could really say that about the
entire album.
Would it really be a Mississippi blues album
without some reference to the crossroads? We get a very
contemporary version of the theme on "Crossroads." Elements of
both funk and hip-hop factor in heavily but still with that
Mississippi Delta blues foundation. "Go Downtown" is a mid-tempo
hypnotic blues that opens with a steady bass drum beat and a
strong harmonica solo. Pearson keeps melodically blowing his
harp behind the vocals throughout the song.
We hear an acoustic guitar intro before the harp
kicks in, leading into the hip-hop-ish vocals over a steady,
pulsing beat and our singer talks about "Saturday Morning" and
what he's going to do for that woman. "High & Low" is a slow,
plodding blues in the hill country style, with the vocalist
singing about the old mixed with the new --- kind of the whole
idea of the album. Wrapping it up is another slow blues, "Look
Out for the Wolf," this one with a mysterious feel to it as our
singer warns that woman that he's coming for her.
Looking for hardcore Mississippi blues with a
contemporary twist --- this is the album for you. If you're a
traditionalist, don't be scared away by the description of the
various music forms included on Welcome To The Land. This
is solid blues from start to finish.
--- Bill Mitchell