Dave Keller
Right Back Atcha
Tastee-Tone Records
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Dave Keller’s
new CD, Right Back Atcha (Tastee-Tone
Records), finds the Vermont-based singer/guitarist
in a different place than his previous release, the
critically-acclaimed Soul Changes from 2013,
both musically and personally. The previous CD,
recorded in Memphis with Al Green’s original band,
featured Keller trying to pick up the pieces of a
broken relationship. The new release was recorded in
his home state with his road-tested band, and finds
him in a much better place in his life. Nowhere is
that more obvious than in the songs themselves, all
but one written or co-written by Keller, who also
served as producer this time around.
The wonderful opening
cut is the album’s lone cover, “It’s Time You Made
Up Your Mind,” written by Darryl Carter, Don Bryant,
and Earl Randle and recorded by Willie Clayton in
1974. Carter also teams up with Keller on the lovely
ballad “Deeper Than The Eye Can See.” Keller’s
originals are all winners, from “2 AM Talks” to
“Forever Summer,” a tune about rekindling the
feelings of first love that will bring back memories
to anyone who ever experienced it. The funky title
track is fueled by Jessica Friedman’s sax and lively
vocals from Keller and backing vocalists Morgan
Klarich and April Caspari.
Friedman, who plays
alto and baritone sax, former Wilson Pickett sideman
Joe Moore, and Terry Youk make up the Mo’ Sax Horns,
and they play a prominent role in many of the tunes,
including the soulful “Slow Train,” which features a
masterful solo from Moore. “Circles” is a moody
ballad highlighted by Keller’s impassioned vocal and
guitar, along with co-writer Ira Friedman’s Hammond
B3. Friedman’s superb work on the keys is a pleasure
throughout. On the playful “She’s Just Katie,”
Keller gives a shout-out to the new love in his
life.
The upbeat and
aptly-titled “Urgent (I’ll Give It All)” picks
things up a notch or two, and “What’s It Gonna Take”
is a stirring rocker with fiery vocals and guitar
from Keller against a magnificent B3 backdrop. The
winning ballad “Willing To Learn” includes another
sax solo from Moore, and the gently swinging closer
“You Make It Easy” is another tribute to Keller’s
lady, to whom the album is dedicated.
Keller’s voice is
usually what gets all the press, but his talents as
a guitarist are just as formidable as his voice. His
road band (Friedman – keyboards, Gary Lotspeich –
bass, Brett Hoffman – drums) does a superlative job
in support, and a couple of the songs also feature
strings (Michael Close – cello, Paul Reynolds –
violin, viola).
Right Back Atcha
is an opportunity for listeners to hear this great
artist at his best on his home turf, and to these
ears, it’s his most satisfying release to date.
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Graham Clarke
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