Hector
Anchondo
Let Loose Those Chains
VizzTone |
Omaha, Nebraska bluesman Hector Anchondo
has been on the blues scene for at least the
last decade, but it the 1st place finish in the
solo/duo portion of the International Blues
Challenge in 2020 that boosted his stock,
inspiring him to record the dozen songs on his
latest album, Let Loose Those Chains (VizzTone).
I'll admit that this disk sat on my ever-growing
pile of CDs waiting to be heard. After listening
to it from start to finish, I regret not having
popped it into the CD drive the day it arrived
in my mailbox. It's a really, really good album.
Anchondo plays guitar and sings on all
cuts, occasionally being backed by drummer Khayman
Winfield and bassist Joe Corley, the latter who
co-produced the album with Anchondo. He's a fine
guitarist with a pleasant singing voice, and
shows his songwriting chops by doing all of his
own songs here. Quite frankly, there's not a
weak cut to be found on Let Loose Those
Chains.
The title cut opens the album, highlighted by
Anchondo's fingerpicking guitar chords while
Winfield bounces out a rhythmic drum beat.
Switching over to electric guitar for "I'm Going
To Missouri," Anchondo provides a jazzier sound
on a song that reminds of Muddy's "Baby Please
Come Home." Anchondo packs a lot of emotion into
his vocals on the slow blues, "Just Forget It,"
playing both electric and acoustic guitars.
"Current River" is an up-tempo instrumental with
Anchondo going back to his acoustic guitar,
before adding slide licks on the Delta blues
"Candy Shop," as he professes his sweet tooth
but we quickly figure out that he's not really
talking about candy or ice cream. Use your
imagination. "Legend" is an up-tempo number on
which Anchondo sounds vocally a bit like Bob
Dylan, putting on his folk troubadour hat while
Winfield's urgent drumming with brushes drives
the song along.
The tempo slows considerably on "Sometimes Being
Alone Feels Right," describing a feeling that
many of us have at times. The anguish comes out
in his voice as he sings powerful lines like,
"...my arms are lifeless, my legs have no bones
...." Anchondo breaks up his loneliness
with a nice, warm acoustic guitar solo, and he
lets us know that he
doesn't want to talk to anyone tonight. Powerful
stuff here. The mood and tempo change completely
on "Strike It Down," as Anchondo heads off to
Europe for more of a gypsy jazz sound, showing
his versatility on the guitar. Back with a slow,
gentle number, "Vested Angels," Anchondo sings
with emotion about a child who's crying and
frames it with pleasant guitar picking.
Anchondo saves the best for late in the album,
with "Heart And Soul" being one of my candidates
for song of the year. It just hits your soul
with the emotion of this heartfelt love song.
Not as bluesy as other songs on the album, but
it just feels so right. While it's not credited
on the album, I swear I hear a faint sound of an
organ in the background, never intrusive but
adding just a touch of extra flavor. Since first
hearing "Heart And Soul," I've been listening to
this song over and over.
The mid-tempo blues, "Momma's A Hard Man," tells
about a mother that had to work hard to support the family after
the father left when the singer was five years old. Nice
acoustic guitar picking here throughout the song.
Closing the
album is a different message to that woman in "You Know I Love
You But You Got To Go," as Anchondo sings that he can't just
keep picking her up when she's down, saying he knows
when to cut and run. More really strong acoustic work.
Let Loose Those Chains ranks as one the
biggest surprises of the 2021 blues season. Hector Anchondo
wasn't on my radar before this album came out, but he certainly
is now. Highly recommended.
--- Bill Mitchell