February 1997
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MCA Records is constantly digging into the Chess Records vaults and releasing some of the best blues ever recorded. Ill admit right now that Little Walter has always been my main blues cat, so its good to see the first appearance on CD of Confessin The Blues. These cuts were recorded from 1953 through 1963, covering all periods of Walters career from shortly after he left The Muddy Waters Band until several years before his untimely death in 68. Confessin The Blues was originally released on vinyl in 1974 as part of the Chess Vintage Series. There are some classics here, such as "It Aint Right," "Crazy Mixed Up World," "Rock Bottom," and one of my favorite Walter tunes, "One More Chance With You." If you dont have any Little Walter CDs, then start with one of his greatest hits collections on MCA. Otherwise, dont miss the chance to add Confessin The Blues to your collection.
A disk which turned out to be a pleasant surprise came from Corvallis, Oregon. Dave Plaehn & Jeff Hinos On Your Bond (Nontrivial Records) is a nice collection of primarily acoustic tunes featuring good harmonica from Plaehn and National steel guitar by Hino. Plaehn is also a decent vocalist, somewhat reminiscent of folk singer Jesse Winchester. My favorite here is a cover of Gus Cannons "Wild About My Lovin'," which features Plaehns strongest singing, good Fender lap steel guitar by Hino, and nice harmony by a couple of female background vocalists. Since this one might not be readily available from your favorite record store, check for more info at Jeff Hinos web site.
A band from Tucson, Arizona covers much of the same musical territory as Roomful, but with a smaller entourage. Actually Bad News Blues Band puts out a full sound for only a five piece ensemble, with occasional guests, on their disk Cruisin' For A Bluesin' (Trope Records). This is a decent collection of 13 mostly original tunes. The weakest link with Bad News Blues Band is the vocals. Music like this cries out for a big-voiced blues shouter, and that shortcoming keeps Cruisin' For A Bluesin' from receiving a big thumbs up. Peggy Scott-Adams new CD, Help Yourself (Mardi Gras Records), is notable for the success of the single "Bill" in urban markets. "Bill" has become a huge seller in these markets, and tiny Mardi Gras Records has had trouble filling that demand. The song is about a woman who lost her man, not to the other woman, but to another man. Lines like "...but all the time it was Bill who was sleeping with my man..." and "...my man was a queen who thought he was a king..." have been hitting the urban contemporary radio waves of the eastern and southern parts of the U.S. The rest of the songs by Scott-Adams, a former backup singer for Ben E. King, are about more traditional contemporary blues topics, like losing your man to the other woman, getting rid of a no-good man, etc. But "Bill" will undoubtedly be the biggest hit of Peggy Scott-Adams' career. One of the most maligned albums in blues history is Muddy Waters' Electric Mud (Chess/MCA). Muddy himself hated the album. For those of you who have forgotten, Electric Mud was Chess' attempt to update Muddy's Chicago blues with a psychedelic sound. After all, Muddy hadn't had a big hit in a decade, Jimi Hendrix was a big star, and Chess felt that the record could be marketed to these so-called hippies. They were right. Electric Mud sold between 150,000 and 200,000 copies, a lot for a blues record. And Muddy began sharing the bill with acid-rock bands at venues like The Fillmore, The Electric Circus, and The Kinetic Playground. With MCA's re-release of the album, I decided to listen to it with an open mind. Of course, it pales mightily in comparison with Muddys straight blues recordings, which of course are among the best ever made. But if you put it in the proper perspective, Electric Mud isnt that bad. After all, its still Muddy singing, which is a darned sight better than listening to most other vocalists. The accompaniment is mostly 60s psychedelic stuff, which sounds pretty incongruous to Muddys straight blues vocals. The cut that shouldnt have been recorded was a version of the Stones "Lets Spend The Night Together." I suspect that Muddy wasnt really into this one. But "Mannish Boy" comes across reasonably well; the original had a lot of whoopin and hollerin, so the wah wah guitar doesnt sound too out of place. Keep this album around to help you remember some of the crazy things that went down during that equally bizarre decade.
Zakiya Hooker, the daughter of blues legend John Lee Hooker, makes her recording debut with Flavors Of The Blues (Pointblank). Dont be expecting a carbon copy of her father, as Ms. Hookers sound has a much more contemporary and urban flavor. Shes a pleasant singer, although lacking somewhat in power and range. The best cut is the slow blues "Receipt To Sing The Blues." Shes joined by her famous blues dad for a duet on "Bit By Love (Hard Times)," which also features Charlie Musselwhite guesting on harmonica. A promising debut. Zydeco veteran Boozoo Chavis is back with a new one, Hey Do Right! for Antones/Discovery. Chavis style consists more of traditional Cajun music and less blues influence, but this is still an album which will appeal to any lover of roots music. The album starts out with the danceable "Zydeco Cha Cha," serving notice that this is going to be a fun disk. Youll really grin while listening to the words to "Youre Gonna Look Like A Monkey" and "I Got A Camel." If those cuts aren't bluesy enough for you, then listen to the slow weeper "Mothers Blues." --- Bill Mitchell |
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