Mark
Hummel, Anson Funderburgh & Little Charlie
Baty
Golden State Lone Star Blues Revue
Electro-Fi Records
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Just the names associated with this CD grabbed my
attention right away --- harmonica ace Mark
Hummel, guitarists extraordinaire Anson
Funderburgh and Little Charlie Baty,
longtime Robert Cray sideman Jim Pugh, and a solid
rhythm section of R.W. Grigsby on bass and Wes Starr
on drums. The name of this blues supergroup
encapsulated in the CD title --- Golden State
Lone Star Blues Revue --- also gave me a good
idea what I was going to hear on this disc.
As expected, the music here lives up to my
lofty expectations. While Funderburgh and Baty get
equal billing with Hummel, it's really the latter's show from start
to finish. They grabbed me right away with the opening cut, a cover
of Gatemouth Brown's classic blues shuffle,
"Midnight Hour," featuring Hummel's booming vocals
as well as explosive guitar licks from both Baty and Funderburgh. Hummel
then gets his first chance to shine on his
instrument, blowing away on the blues harp on the Billy Boy Arnold
number "Here's My Picture."
Hummel wrote most of the original songs on the
album, with the next two cuts being his compositions
--- the rollicking "Prove It To You," featuring good
organ accompaniment from Pugh and a tasteful guitar
solo by Baty, and "Cool To Be Your Fool," a late
night jazzy tune with nice piano work from Pugh. The
latter is one of my faves from this album.
The Lowell Fulson tune "Check Yourself" gives the
horn section of Eric Spaulding and Jack Sanford the
chance to blow their respective saxes while Pugh
comes in with still more top-notch piano playing.
We're also treated to a fine guitar solo from Funderburgh. "Stop This World" is as quirky and jazzy
as one would expect from a Mose Allison composition,
with Hummel switching over to the chromatic
harmonica to get into a back-and-forth exchange with
Baty's guitar.
Next up is the Jimmy McCracklin blues shuffle, "Take
A Chance," with Hummel taking an extended chromatic
harmonica solo before giving way to a Funderburgh
Texas-style guitar break and later to a Pugh organ
jam. The band then takes a trip down to New Orleans
for a Hummel original, "Lucky Kewpie Doll," with
Pugh pounding out amazingly good Crescent City-style piano
and Starr keeping the beat with the appropriate
rhythmic drumming.
Funderburgh kicks off the traditional blues shuffle
"Pepper Mama" with a nice guitar intro before Hummel
comes in with his best tortured vocals about how bad
his woman is treating him --- " .... she don't know
how to treat no one man right .... " Hummel then
takes the lead on his version of Lee Allen's classic
instrumental, " Walking With Mr. Lee," replacing
Allen's sax with his own solid harmonica wailing.
Very nice!
The R.W. Grigsby original "Detroit Blues" comes next
... it's a mid-tempo blues shuffle interspersed with
a Hummel harp solo from the higher end of the scale. Another Jimmy McCracklin number,
"Georgia Slop," is an up-tempo stomper that could
easily have been done by the Blasters at some point.
"Dim Lights" is a good Chicago blues tune done by
J.B. Hutto in 1954, with the band taking
this shuffle into the back alley where it belongs.
Hummel's harmonica work here would certainly make
Muddy smile and we're also treated to a great slide
guitar solo from Funderburgh.
Wrapping up this wonderful disc is a Hummel
original, "End Of The World." It's a slow. mournful
blues with street noise and sirens added to the
background for effect. For my tastes, I'd prefer to
end with something more up-tempo and upbeat, but
that's just me. It doesn't detract at all from a
fine, fine album.
This supergroup is currently out on the road, so be
sure to catch them if they come to your town. In the
meantime, add Golden State Lone Star
Blues Revue to your collection ... you won't
regret it!
--- Bill Mitchell