Guy King
Truth
Delmark Records
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I
first heard guitarist Guy King as part of the
late Willie Kent’s band on Kent’s disc, Comin’
Alive. His crisp, stinging lead guitar blew my
socks off, so I was glad to be able to review his
debut solo release, Livin’ It, a few years
later in 2009. That debut was a promising set that
mixed blues with R&B and soul and showed King to be
as gifted a singer and songwriter as a guitarist.
King released two more albums on his own before
signing with Delmark Records to release his fourth
album, Truth, an excellent and entertaining
disc that should satisfy a whole bunch of blues
fans.
Produced by Dick Shurman and recorded at Delmark’s
Riverside Studio in Chicago, Truth consists
of 15 songs, four originals which include an
instrumental penned by King and three written in
collaboration with renowned musical biographer David
Ritz (a longtime King fan who also contributes liner
notes, and is no stranger to songwriting, having
co-authored “Sexual Healing” with Marvin Gaye),
along with 11 cover tunes that cover a wide range of
musical styles from blues and jazz to R&B and pop.
King’s fretwork shows influences from another pair
of Kings, B.B. & Albert, along with T-Bone Walker,
but he has a clear and distinctive style all his
own. His vocals are strong and rich and it’s obvious
he acknowledges classic R&B singers such as Ray
Charles and Percy Mayfield as influential in his
style. In fact, four of the cover tunes are from
that pair. Charles is well-represented by the
fantastic opener, “The Same Thing That Can Make You
Laugh (Can Make You Cry)” and “Hey Now,” while
Mayfield’s “Cookin’ In Style” and “Something’s
Wrong” are also present.
Guy
also ably handles tunes associated with B.B. King
(Doc Pomus and Dr. John’s “There Must Be A Better
World Somewhere” and “Bad Case of Love”), Albert
King (“If This Washing Don’t Get You (The Rinsing
Will),” and Johnny “Guitar” Watson (a great reading
of “It’s About The Dollar Bill”). There’s also a
fine cover of the standard “I Gotta Right To Sing
The Blues,” a soulful take on the Steve Cropper/Don
Covay classic “See Saw,” and a tender version of the
’80s pop hit “One Hundred Ways.”
The
originals are all first rate, too. King and Ritz’s
tunes include the jazzy title track, “My Happiness”
(a R&B duet with Sarah Marie Young), and a fine slow
blues, “A Day In The Life With The Blues.” King gets
powerful support from Amr Marcin Fahmy (Rhodes, B3),
Jake Vinsel (bass), George Fludas (drums), a
crackerjack horn section (Marques Carroll – trumpet,
Christopher Neal – tenor sax, Brent Griffin, Jr. –
baritone sax) and sweet backing vocals (Young, Kiara
Shackleford, Jihan Murray-Smith).
If
you’re a fan of classic traditional blues with a
contemporary bent, Truth will be one of the
best albums that you’ll hear this year. There’s
little doubt at all that Guy King is one of the
rising superstars of the blues and this release
should remove any remaining doubt.
--- Graham Clarke
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